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Photoshop for Videos 41-60 Print E-mail
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Sunday, 06 July 2008

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Photoshop for Videos: Tutorials 41-60 | 20 flv's | 697 MB
41 Perfect Alpha Channels Part 2
42 Exploring Gradients
43 Designing Lower Third Graphics Part 1
44 Designing Lower Third Graphics Part 2
45 Fading Filters
46 Using the Levels Adjustment Part 1
47 Using the Levels Adjustment Part 2
48 Fixing Saturation
49 The Power of Adjustment Layers
50 Using the Shadow/Highlights Command Part 1
51 Using the Shadow/Highlights Command Part 2
52 Using the Healing Brush
53 Restoration in Action
54 Using Seamless Patterns
55 Using Batch Process Commands
56 Creating a Droplet
57 Crop&Straighten Command
58 Using the Image Processor
59 Averaging Video Frames
60 Black&White Conversion

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ToolFarm- Knoll Light Factory Training DVD Print E-mail
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Sunday, 06 July 2008

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ToolFarm- Knoll Light Factory Training DVD
1.5 GB compressed | ~ 3GB uncompressed

The Knoll Light Factory Pro & Editors Training DVD covers one of the world's most chosen motion graphics tools, used by 1000's to create light effects called flares. Flares simulate reflections from a very bright light source as seen in a camera lens. In the digital graphics world, they are most often used to simulate the sun or other light sources, enhance text or logos, or intensify special effects shots like explosions.
Knoll Light Factory Training - [90 Minutes Running Time]

Overview
Introduction & History
Pro vs Editors
Lens Editor
Location and Obscuration

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Stay Glassy After Effects Print E-mail
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Sunday, 06 July 2008

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Stay Glassy After Effects - 5 Mb

Here is a fun method for creating translucent glass frames in After Effects that I”m working on.
Project File + Demo

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Gnomonology. Sketching with Digital Clay: A Monster Head Print E-mail
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Sunday, 06 July 2008

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Sketching with Digital Clay: A Monster Head covers Jeff McAteer`s approach for quickly sketching creature heads using ZBrush. In this tutorial Jeff starts with a basic head shape. Then using the Standard Brush he begins to search for the monster`s face. Once the monster is roughed in, Jeff moves on to detailing his creature like only he can. With subtle touches that make the creature come to life.

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Mudbox Advanced Concepts Print E-mail
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Sunday, 06 July 2008

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This video is the highly anticipated second title from Wayne Robson on Mudbox by Skymatter. This title is designed to help artists create a Hyper Real Character in a very short time.

Wayne also shows you how to add 3DS Max to your Mudbox pipeline to create a character along with character setup and finalization.

This title is more than 3 and a half hours long and goes into comprehensive detail on character modeling. From blocking the chest to refining the face, you will be sculpting hyper real characters in Mudbox in a matter of hours.

1.02GB




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The Radiant Vista ? The Photoshop Workbench Print E-mail
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Sunday, 06 July 2008
The Radiant Vista – The Photoshop Workbench

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Featuring Photoshop tutorials

Date: January / February 2006
6 Videos

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Tutorial: Making XP Logo in 3Ds max Print E-mail
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Saturday, 05 July 2008

 

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Video Tutorial | Duration 05:31


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Photoshop for Videos 61-82 Print E-mail
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Saturday, 05 July 2008

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Photoshop for Videos: Tutorials 61-82 | 20 flv's | 820 MB

61 Mobile Content with Device Central
62 Secondary Color Correction with Curves
63 Using Layer Styles with After Effects
64 Virtual Sets with Photomerge
65 Spot Color Grading
66 Stabilizing Video Footage
67 Depth of Field Blur
68 Making Alpha Channels for Logos
69 Shadow Highlights Command
70 The Puppet Tool Part 1
71 The Puppet Tool Part 2
72 Vanishing Point
73 Creating Custom Backgrounds From Scratch
74 Creating Motion Backgrounds From Scratch Part 1
75 Creating Motion Backgrounds From Scratch Part 2
76 Making Selections: Calculations
77 Making Selections: Channels
78 Making Selections: Alpha Channels
79 Making Images Broadcast Safe
80 Distressing Text Edges
81 Aging a Photo
82 Batch Processing with Droplets

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Gnomonschool The Making of The Golden Compass Print E-mail
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Saturday, 05 July 2008

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Enjoy the making of Academy Award winner, The Golden Compass. The visual effects team will be discussing the planning and execution of many of the visual effects shots for the film.



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Gnomonschool The Making of The Spiderwick Chronicles Print E-mail
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Saturday, 05 July 2008
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Colin Epstein, Compositing Supervisor from Tippett Studio and Daniel Gregoire, Previs Supervisor from HALON Entertainment share with Gnomon a shot breakdown of the visual effects that take place in the movie The Spiderwick Chronicles.



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